" Published by the Kentucky Historical Society and distributed by the University Press of Kentucky Winona L. Fletcher, Senior Editor Sheila Mason Burton, Associate Editor James E. Wallace, Associate Editor Mary E. Winter, Photographs Editor Douglas A. Boyd, Oral History Editor John Hardin, Consultant With a preface by George C. Wolfe Community Memories is a fascinating look into life recalled by African Americans who consider Frankfort their home. Featuring unique oral history recollections and over two hundred candid personal photographs collected from community residents, the book provides an enlightening expression of the black experience in Kentucky's capital. The memories focus on the elusive concept of community -- that which binds together individuals in the living of everyday life. A satisfying blend of public history and local accounts, Community Memories explores the neighborhood, familial, religious, occupational, social, and educational components of the daily community experience of twentieth-century African Americans in Frankfort. Winona L. Fletcher is professor emerita of theater and drama at Indiana University. Sheila Mason Burton is assistant director for research coordination at the Kentucky Legislative Research Commission. James E. Wallace is assistant director of the Kentucky Historical Society. Mary E. Winter is special collections branch manager and photographs archivist at the Kentucky Historical Society. Douglas A. Boyd is oral history and folklife archivist at the Kentucky Historical Society. John Hardin, former dean of the Potter College of Arts, Humanities, and Social Sciences at Western Kentucky University, is is the university's assistant to the provost for diversity enhancement. George C. Wolfe, playwright, producer, director, and Tony Award winner, lives in New York City.

Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today.

Memories fade, witnesses pass away, and the stories of how social change took place are often lost. Many of those stories, however, have been preserved thanks to the dozens of civil rights activists across Kentucky who shared their memories in the wide-ranging oral history project from which this volume arose. Through their collective memories and the efforts of a new generation of historians, the stories behind the marches, vigils, court cases, and other struggles to overcome racial discrimination are finally being brought to light. In Freedom on the Border: An Oral History of the Civil Rights Movement in Kentucky, Catherine Fosl and Tracy E. K'Meyer gather the voices of more than one hundred courageous crusaders for civil rights, many of whom have never before spoken publicly about their experiences. These activists hail from all over Kentucky, offering a wide representation of the state's geography and culture while explaining the civil rights movement in their respective communities and in their own words. Grounded in oral history, this book offers new insights into the diverse experiences and ground-level perspectives of the activists. This approach often highlights the contradictions between the experiences of individual activists and commonly held beliefs about the larger movement. Interspersed among the chapters are in-depth profiles of activists such as Kentucky general assemblyman Jesse Crenshaw and Helen Fisher Frye, past president of the Danville NAACP. These activists describe the many challenges that Kentuckians faced during the civil rights movement, such as inequality in public accommodations, education, housing, and politics. By placing the narratives in the social context of state, regional, and national trends, Fosl and K'Meyer demonstrate how contemporary race relations in Kentucky are marked by many of the same barriers that African Americans faced before and during the civil rights movement. From city streets to mountain communities, in areas with black populations large and small, Kentucky's civil rights movement was much more than a series of mass demonstrations, campaigns, and elite-level policy decisions. It was also the sum of countless individual struggles, including the mother who sent her child to an all-white school, the veteran who refused to give up when denied a job, and the volunteer election worker who decided to run for office herself. In vivid detail, Freedom on the Border brings this mosaic of experiences to life and presents a new, compelling picture of a vital and little-understood era in the history of Kentucky and the nation.

Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

A small neighborhood in northern Frankfort, Kentucky, Crawfish Bottom was located on fifty acres of swampy land along the Kentucky River. "Craw's" reputation for vice, violence, moral corruption, and unsanitary conditions made it a target for urban renewal projects that replaced the neighborhood with the city's Capital Plaza in the mid-1960s. Douglas A. Boyd's Crawfish Bottom: Recovering a Lost Kentucky Community traces the evolution of the controversial community that ultimately saw four-hundred families displaced. Using oral histories and firsthand memories, Boyd not only provides a record of a vanished neighborhood and its culture but also demonstrates how this type of study enhances the historical record. A former Frankfort police officer describes Craw's residents as a "rough class of people, who didn't mind killing or being killed." In Crawfish Bottom, the former residents of Craw acknowledge the popular misconceptions about their community but offer a richer and more balanced view of the past.

The term "Holocaust survivors" is often associated with Jewish communities in New York City or along Florida's Gold Coast. Traditionally, tales of America's Holocaust survivors, in both individual and cultural histories, have focused on places where people fleeing from Nazi atrocities congregated in large numbers for comfort and community following World War II. Yet not all Jewish refugees chose to settle in heavily populated areas of the United States. In This Is Home Now: Kentucky's Holocaust Survivors Speak, oral historian Arwen Donahue and photographer Rebecca Gayle Howell focus on overlooked stories that unfold in the aftermath of the Holocaust. They present the accounts of Jewish survivors who resettled not in major metropolitan areas but in southern, often rural, communities. Many of the survivors in these smaller communities did not even seek out the few fellow Jewish residents already there. Donahue transcribes the accounts as she heard them, keeping true to the voices of those she interviewed. One of the survivors who shares her tale, Sylvia Green, describes the pain and desolation of her experiences in the Nazi death camps with a voice that reveals both her German-Polish heritage and her subsequent small-town life in Winchester, Kentucky. The Hungarian-born Paul Schlisser has an equally complex voice, a mix of phrases learned in the U.S. Army in Vietnam and regional speech patterns acquired in his adopted home near Fort Knox. Donahue's collection of voices, accompanied by Howell's poignant photographs, identifies each storyteller as an American -- and as a Kentuckian. Like many others of diverse backgrounds before them, Holocaust survivors joined the "melting pot" as a haven from the suffering in their native lands, but they eventually came to regard America as home. Although they speak of atrocities, most often experienced when they were children and unable to fully comprehend the situation, they also emphasize the comfort of acceptance -- not just by Jewish communities but also by a state that has long equated "religion" with Christianity alone. Kentucky is not known for its cultural and religious diversity, yet these stories reveal one of the many ways that the state has become home to a wide spectrum of immigrants -- people who once were strangers but now are its own.

At the end of World War II, many thousands of Jewish Holocaust survivors immigrated to the United States from Europe in search of a new beginning. Most settled in major metropolitan areas, usually in predominantly Jewish communities, where proximity to co-religionists offered a measure of cultural and social support. However, some survivors settled in rural areas throughout the country, including in Kentucky, where they encountered an entirely different set of circumstances. Although much scholarship has been devoted to Holocaust survivors living in urban contexts, little has been written about them in the context of their experiences in rural America. Using excerpts from oral history interviews and documentary portrait photography, author Arwen Donahue and photographer Rebecca Gayle Howell tell the fascinating stories of nine of these survivors in a unique work of history and contemporary art. The book focuses on the survivors' lives after their liberation from Nazi concentration camps, illuminating their reasons for settling in Kentucky, their initial reactions to American culture, and their reflections on integrating into rural American life.